Fashioned from the thinnest sheets of shimmering gold, these delicate sandals were never meant to grace a living foot. Instead, they were lovingly crafted to adorn the body of the deceased, guiding her in gilded splendour into the afterlife. Beautiful though they are, one imagines they would have been dreadfully uncomfortable for earthly wandering, and...
A tender and unexpectedly gentle vision of Akhenaten greets us here; not the exaggerated, long (almost lion-like) faced king of the Amarna reliefs, but a softer, quieter sovereign in painted limestone. A faint flush of red still clings to his lips, a ghost of the colours that once enlivened his courtly presence. Upon his brow...
Among the loveliest relics of the Amarna Period are a handful of carved slabs, now scattered across the world (from the Kestner Museum in Hanover to the Museum of Fine Arts, Boston, and the Brooklyn Museum of New York) showing Akhenaten as a human-headed sphinx. He crouches in the classic pose, forepaws extended, muscles taut...
In the days when Akhenaten’s sun-drenched court shimmered beneath the desert sky, jewellery was never merely adornment, it was theology in colour. This broad collar, formed of technicolour faience beads of oval shapes, feels as if it were crafted from the very rays of the Aten itself, caught mid-beam and coaxed into beads. Measuring just...
Upon the west bank at Thebes, in the Tomb of Menkheperraseneb, High Priest of Amun, a vivid procession unfolds across the plastered wall. Here, emissaries of Amurru, a vassal land of Syria-Palestine, approach the Egyptian court bearing tribute to the conquering Thutmose III. The men are rendered with striking individuality: pale-skinned figures in patterned tunics,...
There is something curiously moving about leather; the way it warms to the touch, takes on a soft lustre with age, and carries the faint memory of its maker. And so, amid the gilded splendour of the new Grand Egyptian Museum, it is not the golden mask nor the bejewelled sandals that capture the breath...
This elegant gold signet bears the young king’s throne name, Nebkheperure, identifying him as the earthly manifestation of the sun-god Ra. Each tiny sign, crisply cut into the oval bezel, would have impressed the royal name into clay or wax, sealing decrees with divine authority. When you look closer, one sees the sun disc of...
Among the most personal treasures found within the Tomb of Tutankhamun, were his sandals; over eighty pairs of them, discovered neatly stored in a wooden trunk and immortalised in Harry Burton (1879-1940)’s evocative black-and-white photographs. As expected, several pairs were in remarkably delicate condition, and yet, through painstaking modern restoration, their splendour lives again. Some...
Carved in the glittering age of Amenhotep III, this finely carved acacia wooden figure captures the calm poise and refinement that defined Ancient Egyptian art at its most elegant. The man measures at 30.5 cm, and stands with his arms at his sides, clothed in a short-sleeved tunic and a pleated linen kilt whose layered...
This intimate limestone group captures three generations (or three male relatives) in quiet harmony. The two men and the boy are rendered in the distinctive style of the Amarna Period, with elongated heads and supple, naturalistic forms. Scholars have long debated their identity: are they a grandfather, father, and son united in familial devotion, or...
