An ostracon sketch of animals such common crane, a vulture, and a hound possibly basenji. This probably a series of trial sketches, not an integrated composition, and the subjects were sketched independently. Sketches of animals on ostraca were a common form of artistic expression in ancient Egypt. These sketches depicted a wide range of animals,...
An ostracon depicted in two faces, the verso depicted with a double-figure of the Nile god Hapi standing, with a fat body wearing a crown of the two plants of Upper and Lower Egypt and a short kilt. On the left, the god raises his left leg while the right one raises his right leg...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
Ostracon of a cat, standing on its hind legs, acts as guide and protector to a flock of six ducks or geese, arranged in two registers, or sections. The ostracon shows a cheerful episode from an Egyptian folktale. In this tale the roles of the natural world are reversed. Above the birds is a nest...
In the center of the lid of this sarcophagus, King Ramesses III is depicted as the god Osiris in mummy form. On his head he wears the Atef crown composed of ostrich feathers, a sun disk and a pair of ram’s horns. Emerging from his forehead is a uraeus, the royal symbol of protection. The king...
Apparently, King Ramesses V died in his early thirties and this is perhaps the reason for the appropriation of his tomb by his successor, Ramesses VI. Nevertheless, the mummy later found its way to the Royal Cachette (DB320) at Deir el-Bahari. The king’s face was painted in red and his nostrils were filled with wax....
Marble statue portraying a sleeping child sitting on a rock. He is wearing a Roman tunic with a conical head cover. His sandals are finely carved. Comparing this statue with another similar one displayed in the National Roman Museum where the boy is holding a lantern in his right hand, however the lantern here is...
Marble statue of Harpocrates, who was adapted by the Greeks from the Egyptian child god Horus, represented the newborn sun, rising each day at dawn. Harpocrates meaning “Horus the Child”, was the god of silence, secrets and confidentiality in the Hellenistic religion developed in Ptolemaic Alexandria. In Egyptian mythology, Horus was the child of Isis...
