The head of the Sphinx of Giza is encased in scaffolding and works are under way excavating the body. Early 20th-century excavation at the Giza Necropolis. An earlier Sphinx excavation was marked by the Dream Stele (around 1401 BC) of Thutmose IV, at lower center. The granite altar (bottom) between the Sphinx’s paws dates from...
This alabaster canopic chest of Tutankhamun is considered to be one of the finest masterpieces of King Tut’s collection. The interior of the chest is divided into four compartments, each with a cylindrical hollow covered by a lid elegantly carved in the form of the king’s head. At the four corners of the chest, carved...
Relief depicts metalworkers employed in the manufacture of jewelry, smelting gold by blowing into a furnace. Detail of a wall carving in the Mastaba of Mereruka. The ancient Egyptians did engage in gold manufacturing during the Old Kingdom. Gold was highly valued and sought after in ancient Egypt, and it was used for various purposes,...
This small statuette depicts King Seti I, father of Ramesses II as a Standard Bearer. The statuette is a portrait of the king in which grace and grandeur are mixed. The sensitive face is framed by the short, round, thick wig decorated at the front with the uraeus, or royal cobra. The narrow slits of...
Painted wood ushabti ‘funerary figurine’ of the king Ramesses IV. Funerary figurines, known as “ Ushabtis” by the Egyptians (which means “those who answer”) are viewed as typical ancient Egypt objects. They represent the deceased in the form of a mummy in osirifide position. The figure’s name, headdress, and any hand-held accessories are the only way...
A solid gold amulet of Osiris in his typical guise, wearing the atef crown and a divine beard, and holding the crook and flail in his hands held against the chest. A ring is attached to the back, allowing this figure to be worn as an amulet. The material gold is precious and easily recycled,...
Bas-relief depicts sculptors working on statues, detail of a wall carving from the joint Mastaba of Khnumhotep and Niankhkhnum, royal servants. They shared the title of Overseer of the Manicurists in the Palace of King Nyuserre Ini. In the Old Kingdom of Egypt, sculpting statues held great importance for several reasons. Firstly, statues were created to...
Although this snake goddess is not named in an inscription, her human face and the two finger-shaped feathers on her crown identify her as Meretseger (She Who Loves Silence), a patroness of fertility and the harvest. Like this statue, most images of Meretseger are modest in quality and were placed in small chapels or shrines...
Fragment of a limestone statue (snout restored) of the chief god of Faiyum, the crocodile-headed Sobek. The statue comes from the mortuary temple of Amenemhat III, attached to his pyramid in Hawara. Although the temple was begun by Amenemhat III, it was incomplete at the time of his death. It was finished by his daughter,...
Bas relief depicts the royal cartouche of Senusret I (Kheperkare, The Ka of Re is created). The cartouche is nothing more than the elongated shape of the circular sign “shen”, which was most probably the symbol of the solar disk. It was exclusively used for the name of the king, protecting him and functioning almost...
