This winged scarab beetle amulet is made of electrum. The wings are not those of a beetle, but those of a bird, as is apparent by their shape and the indication of individual feathers. Winged scarabs, meant to guarantee the rebirth of the deceased, were very popular funerary amulets. A series of animals depicting deities...
The ceremonial axe of King Ahmose I, founder of the 18th Dynasty, stands as a tribute to his victories and the liberation of Egypt from the Hyksos. This exquisite weapon is adorned with intricate scenes celebrating the king’s triumphs. Ahmose is depicted in the form of a sphinx, symbolising his strength and divine authority. Above...
This mummified falcon is covered with an intricate pattern of wrappings done in natural and dyed brown linen. The details of the face and head of the bird have been rendered in paint over a white gesso ground. The falcon was identified from the earliest times with the sun god Horus and the reigning king,...
Horus was the symbol of the king and his protector, on this pendant amulet he is shown wearing the Double Pschent Crown of Upper and Lower Egypt, the symbol of kingship. The falcon’s wings are folded, and he perches on a schematic version of the traditional block border motif. The pendant was formed of two...
This scarab amulet is made of gold, a metal strongly associated with the sun. The blue enamel symbolizes the life-giving waters of the Nile. Scarab amulets were frequently wound into a mummy’s bandages to protect the deceased and ensure rebirth. The ancient Egyptians understood the sun god to manifest himself in multiple forms, chiefly those...
“Perhaps surprisingly the most common career for women, after housewife and mother, was the priesthood, where women served deities, notably Hathor, with music and dance. Many would come to the temples of Hathor to have their dreams interpreted, or to seek divine inspiration. This is a wide ranging and revealing account told with authority and...
“One side of this ivory fragment wand carving depicts a figure of a crocodile with its tail curved below the head and body. The mouth, eyes, leg scales, and body ridges are carved in minute detail. With its eye open and jaws closed in alert pose it faces right toward the accompanying figures (now lost)....
This scene is unique in its nature. We never witnessed an heir or a successor performing the ritual of the Opening of the Mouth Ceremony on the deceased King. The scene from the north wall of the burial chamber in the Tomb of Tutankhamun shows the brown “freckling” of the paintings that may have resulted...
In this statue, Hatshepsut is kneeling and making an offering of Nu vases. From her mortuary temple in Deir el-Bahari, West Thebes. By making this offering, Hatshepsut affirms that Maat is the guiding principal of her reign. Hatshepsut, also spelled Hatshepsut, female king of Egypt who attained unprecedented power for a woman, adopting the full...
This Egyptian faience vase is molded in the form of the goddess Taweret, the ancient Egyptian patroness of childbirth and a protector of women and children. Like Bes, she was considered to be a ferocious demon as well as a protective and nurturing deity. She was associated with the lion, the crocodile, and the hippo;...
