Originally described as a ‘linen belt’ but since at least 1913 it has been called the ‘Ramesses Girdle’. Paintings of Ramesses III show him wearing similar long lengths of cloth wrapped several times around the chest in a herringbone fashion, like a girdle, before being fastened around the waist. Cartouches of Ramesses III were inscribed...
Referred to as Asqanu in Egyptian texts and among the cities revolting against Ramesses II. Scenes of the battle for Ashkelon (including the one shown here) are shown on the walls of Ramesses’ temple at Karnak. The scene shows many activities taking place at once. The army of Ashkelon is being defeated in the center,...
The inner coffin lid of Henuttawy is painted yellow all over, imitating royal coffins made of solid gold or gilded wood. The pectoral is only slightly less elaborate than the one on her outer lid (25.3.182a, b). Its main feature is a large scarab that pushes a sun disk upward to symbolize the rising sun....
This superb portrait of Egypt’s last native pharaoh is the product of three thousand years’ expertise in carving hard stone. The volumes of his helmet-shaped crown — the Blue Crown, or Khepresh, are sleek and streamlined, almost aerodynamic. The artist reveled in the mottled texture of the stone, and polished it to a glistening sheen...
Measuring at 34.5cm, this bronze (copper alloy) figure of a woman dates from around 1069-664 B.C., putting it among the Third Intermediate Period. The figure depicts an unknown woman with a slender physique and a cropped wig of layered style. Based upon the stride of her legs and supposed material between, we can presume she...
This fragmentary limestone bust depicts the Royal Scribe, Méniou. Traces of pigment remain of black upon the wig, eyes and brows, giving this fragmentary piece a striking appearance, despite its disfigurement. Méniou wears an elaborate usekh collar and pleated linen tunic, indicating his status in society. His wig is shoulder-length and finely detailed with intricate...
The outer coffin of Butehamun shows stylistic features that are still typical for the Ramesside Period (1292-1076 BC), but the growing space devoted to images is a feature of the new “yellow coffin” style. The image repertoire is expanded, combining typical New Kingdom elements with Third Intermediate Period Theological creations. Butehamun’s set of coffins, probably...
The faces on most statues of Amenhotep II differ slightly from those of his two immediate predecessors. Compared with the sculpture of Thutmose III or Hatshepsut exhibited nearby, for example, this statue’s face is a little longer, the eyes somewhat narrower, the brows a bit straighter, the nose slightly thicker, and the mouth less curved....
Made from the wood from a sycamore fig tree, this painted statuette of a woman dates from the 18th Dynasty, c. 1427-1353 B.C. The woman depicted wears a beautiful linen white gown that is sleeveless on one side. This style of fashion was seemingly popular among the elite and royalty of the time, as we...
This limestone bust depicts a priest in a cream-coloured tunic, and is believed to date from the Ptolemaic Period, 130-30 B.C. The facial details are sublimely realistic and show an older man with deep frown lines, a downturned mouth and almond eyes. The collar bone protruding and the jowls of the jawline and loosened skin...
