This is a pottery ostracon, measuring 14.4×10.3 cm with an ink sketch showing the prow of the sacred boat of the god Amun-Re. It is decorated with a ram’s head and a royal cobra (uraeus). The line of hieroglyphs over the head of the ram reads, “Amun-Re, the Light of Day.” And the column of...
A colossal statue that represents Akhenaten standing with his arms folded, holding the flail and heka scepters. He is depicted with his particular realistic features; long face, narrow eyes, the long protruding chin, and the fleshy lips. The king is shown naked, without any distinctive sexual organ, which is thought, by some Egyptologists to represent...
This falcon-headed coffin does not contain an actual mummy but a symbolic Osiris mummy stuffed with grains like corn and sand. The falcon head on the coffin and the hieroglyphic text on the painted lid indicate they are associated with the funerary deity Ptah-Sokar-Osiris. During the mysteries, two statuettes of Osiris were manufactured: one was...
This relief of trading scenes of Punt is one of many decorated blocks that record the trading expedition sent to the land of Punt by Hatshepsut. Punt was a locality near the Red Sea and the south of Egypt, now southern Sudan or Eritrea or Ethiopia. The block shows Parehu, the Ruler of Punt, holding...
Gain insights into a vanished world with this unique look at powerful hieroglyphs. Barry Kemp presents one hundred of hieroglyphs, their pronunciations, their history, and meanings, revealing aspects of day-to-day life in ancient Egypt. “How characters used in ancient Egyptians’ writing system offer a fascinating insight into their priorities, concerns, and beliefs, and entire worldview....
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
As the chief intermediary between gods and men, the Egyptian king is often shown kneeling in adoration. This silver statuette was undoubtedly part of a group composition in which the king faced a larger figure of a god. Temple inscriptions suggest that for much of Egypt’s history, silver was valued more highly than gold. However,...
This statue depicts Queen Nofret seated upon a throne, adorned with a Hathor wig characterized by three distinct tresses. One voluminous tress cascades down her back, while two wavy strands are drawn forward, wrapped in slender bands that culminate over her breasts in spirals encircling decorative disks. A uraeus—a rearing cobra—rests on her forehead, symbolising...
In this fragment painting from the Tomb of the Dancers, the girls are performing to the accompaniment of of clapping and finger-snapping, under the supervision of two male overseers. The occasion is perhaps a festival dance in honor of Hathor, goddess of music and dancing and also protector of the tombs of Western Thebes. “The...
A gilded, wooden statuette of King Tutankhamun stands on a wooden boat that is painted to represent a papyrus boat. Its details are picked out in gold leaf. The king, wearing the Deshret Red Crown of Lower Egypt, holds a harpoon poised to strike an unseen enemy. According to the myth of Osiris and Isis,...
