Royal temple lintel of Amenemhat III: a rectangular limestone raised relief from a temple door lintel. The text is arranged symmetrically, with the central cartouche placed over the axis of the doorway. The text cannot be deciphered into a single sentence, since the elements are arranged according to heraldic rather than linguistic principles. In the...
This gold inlaid with carnelian, turquoise head-dress (Met Museum. 26.8.117), belongs to a queen of Thutmose III. The headdress is made from gold, gesso, carnelian, jasper, and glass. The Met Museum writes; “These rosettes from the funerary equipment of three foreign wives of Thutmose III have been displayed in various ways, since they came to...
“King’s Son of his Body”“Chief Justice”“Greatest of the Five of the House of Thoth” Prince Hemiunu was the son of Nefertmaat and Itet, grandson of king Sneferu, and nephew of king Khufu. Therefore, it is safe to say that Hemiunu, was a man at the centre of Egypt’s pyramid age. As well as the grand...
This painted limestone stela with raised relief carving depicts an Old Kingdom era woman named Nefer who held the title, “Acquaintance of the king”. Discovered within her mastaba, this stela was used to supply offerings to Nefer beyond death, including; “a thousand alabaster vessels, a thousand pieces of cloth“, “purification of 3 pellets of natron”,...
Showcasing a clear resemblance to members of the Amarna royal family, it is not hard to see this piece dates from the late 18th Dynasty. Absolute identification of this head is uncertain, but resemblance to Tiye as well as her son king Akhenaten himself, as well as other heads of princesses (daughters of Akhenaten), make...
This striding statuette of a New Kingdom king, depicts the king in a kilt (shendyt) adorned with an elaborate belt, a usekh collar around his neck, and most notably, the “Blue Crown of War”, known to the Egyptians as the “Khepresh” upon his head, which is given a realistic glisten by the addition of rounded...
This wooden emblem of the goddess Anuket is a rather unique item and depicts the goddess with her famous ostrich feather headdress, with two depictions of the goddess on each side. She was the goddess of the First Cataract of the Nile and was associated with the Nubian region, she was worshipped at Elephantine. During...
This colourful fragment comes from the tomb of the foreman Inherkhau (TT359), at Deir el-Medina. Inherkhau held the title, “Foreman of the Lord of the Two Lands in the Place of Truth“, and worked under the reigns of king Ramesses III and Ramesses IV. The piece shows Inherkhau alongside his son Kenna. Kenna is noticed...
Painted in brisk strokes upon a limestone ostracon from Deir el-Medina, two lithe figures whirl their canes in the art of tahtib, a stick-dance still enlivening weddings along the Upper Nile today. The tradition’s pedigree stretches back to the Old Kingdom, with reliefs in the Pyramid of Sahure at Abusir (c. 2500 B.C.) depicting soldiers...
This painted limestone talatat originally came from the dismantled experimental capital of Akhetaten (modern Tel el-Amarna) founded by Akhenaten, but was used as building fodder in Hermopolis, likely during the reign of king Ramesses II. The piece depicts a bald man in a pleated wrapped kilt (shendyt) slaughtering cows. It is possible that the man...
