Situated within the vast temple complex dedicated to the goddess Hathor at Dendera, the Sacred Lake is a man-made reservoir, part of the temple’s ritual architecture. However, the Sacred Lake at Dendera was not merely a tranquil body of water; it was a living symbol of renewal, a stage for sacred drama, and a portal...
Despite the front of the statue having extensive damage, the back provides us with quite a bit of information about Minmose, thanks to the wonderful inscriptions having survived. Minmose’s primary titles reveal his close association with the cult of Osiris; the deity central to Egyptian beliefs about resurrection and the afterlife. He is described as...
The concept of the Sacred Lake (Ancient Egyptian: “She-netjer”) dates back to the earliest phases of Ancient Egyptian religious architecture, likely as far back as the Old Kingdom, c. 2686–2181 B.C., though surviving examples are predominantly from the Middle Kingdom onward. These man-made bodies of water were typically constructed within temple precincts, mirroring the primordial...
This painted limestone headrest features two standing female figures, their arms gracefully dangling at their sides, clad in elegant robes, and adorned with necklaces and bracelets. Each woman wears a Hathoric headdress, suggestive of the goddess Hathor’s attributes of femininity, protection, and fertility. While the precise identification of these figures remains debated, it is likely...
This exquisite double signet ring, dating from the New Kingdom period (c. 1550–1069 B.C.), showcases the refined artistry and symbolic richness characteristic of the era. Crafted from gold, the ring features a pair of cartouches, but instead of a name within the “shen-ring” oval cartouche, are two figures. The first figure is that of a...
These gold figurines discovered at Tell el-Farkha’s Eastern Kom, were unearthed by the Polish Archaeological Expedition to the Eastern Nile Delta, in 2006, during ongoing excavations that began in the late 1990s. Believed to date to the Naqada IIIB period (c. 3200–3000 B.C.), these figures are considered the oldest known depictions of Ancient Egyptian rulers...
The fragment of a head of king Khafre, now in the Metropolitan Museum of Art, once belonged to a statue that likely stood in one of the king’s grand temple complexes at Giza. Most probably, it was part of a seated or standing figure placed within the valley temple, mortuary temple, or possibly along the...
A stout man, bald and adorned in pleated linens, Pakherenkhonsu, is depicted striding forth with a broom in one hand, showcasing his temple duties as the “Doorkeeper of the House of Amun“. We can presume Pakherenkhonsu’s job consisted of securing the sanctuary, as well as maintaining the surroundings; keeping things tidy and righteous for the...
This intricately cut copper alloy relief, dated stylistically to the 25th–26th Dynasties (c. 760–526 B.C.), portrays a Nubian male in a loincloth, carrying a basket, with a monkey perched on his shoulder. Its flat back and low thickness (0.8 cm) suggest it was designed to be affixed to a flat surface, such as a wooden...
The limestone ostracon (Musée du Louvre. E 14337) from Deir el-Medina, depicting a woman presenting a cup and vase before a figure holding a smoking bowl, likely represents a domestic or ritual offering scene. The woman’s pleated dress, perfume cone, and lotus flower suggest she is engaged in a ceremonial act, perhaps making an offering...
