This small limestone figurine of a woman holding a male child on her lap is only 4cm in height and dates from around 1550–1450 B.C, making it a product of the 18th Dynasty and New Kingdom era of Ancient Egypt. This little figure is a rather unique piece, as usually the bond between a child...
Pottery fragments, once in the form of a woman holding a basket. Pottery from ancient Egypt are valuable archaeological artifacts that provide insights into the daily life, culture, and craftsmanship of the ancient Egyptians. These fragments can come from various types of pottery vessels, such as bowls, jars, and amphorae, and they can be decorated...
Fragment of a granite head from a statue of king Senusret III with royal nemes headdress and cobra uraeus. The face of Senusret III is one of the most individual and recognizable in all of Egyptian art. The deep-set, heavy-lidded eyes, the thin lips, and the series of diagonal furrows marking the rather hollow cheeks...
This figure of a woman in a shawl is dated between 3100 -2700 B.C. She stands 13.5cm high, and is a finely carved from a piece of Hippopotamus ivory. Hippopotamus ivory is harder than elephant ivory and is much more difficult to carve. The woman depicted, with hair parted in the middle, stares forth with...
Funerary Mask of the Overseer of Builders, Amenhotep. Amenhotep is believed to have lived and worked sometime between 1427–1390 B.C. of the 18th Dynasty. He is titled with the title of Over Seer of Builders, seemingly working under the king Amenhotep II and/or Thutmose IV.Thutmose being the son and heir of Amenhotep II. The death...
The cartouche shaped box carries the name of Tutankhamun, executed in the most handsome hieroglyphs, made up of ebony and stained ivory. Less grand, but still elegantly formed, hieroglyphs are used for the many texts which are incised and filled with blue paint on the upper rim of the lid, surrounding the cartouche, and in...
Fragment of a relief depicts king Unas being suckled by unidentified goddess. These reliefs are often found in temple complexes and tombs, and they serve as visual representations of the divine nature and legitimacy of the king. The concept of a king being suckled by a goddess is often seen as a metaphorical representation of...
Keftiu (Minoan, Cretan, later Mycenaean) men depicted bringing tribute within the tomb chapel of the vizier Rekhmire (TT100). New Kingdom, 18th Dynasty, reign of Thutmose III – Amenhotep II, c. 1479-1400 B.C. Valley of the Nobles, Theban Necropolis
Limestone seated statue of Horus wearing Roman military costume; traces of paint; arms lost. The figure originally wore a crown, probably of another material, inserted into the top of the head. The falcon head is rendered with careful attention to the feathering around the face; the eyes are human and the pupils are incised. The...
At just 26.3 cm tall, this statuette of king Amenhotep III, is a treasure of the Brooklyn Museum in New York, and for obvious reason. The Brooklyn Museum’s website states that it is unsure whether the statue is made from ebony or yew wood, however, Edward Bleiberg (Curator of Egyptian, Classical, and Ancient Middle Eastern...
