This delicate Middle Kingdom limestone figurine (E 8000), dating from approximately 2035–1680 B.C., depicts a nude woman standing with truncated legs, wearing a tripartite wig, a cowrie shell belt, and a broad necklace, while tenderly carrying a small child. The figure’s soft curves, subtle modelling, and the inclusion of symbolic jewellery;particularly the cowrie shell belt,...
Few creatures captivate the imagination quite like the cat. From the earliest days along the Nile’s fertile banks, the Ancient Egyptians observed the elegance, agility, and protective instincts of wild cats that prowled the granaries and fields. Over time, these graceful hunters became more than companions, they evolved into powerful symbols of fertility, domestic harmony,...
Standing 24.3 cm tall, the figure depicts the goddess with arms dangling, wearing a long robe and holding an ankh, the symbol of life. The eyes, once inlaid, hint at the statuette’s original vivid detail. The statuette is crafted from stone, though the specific type is not identified in available records. Hieroglyphic inscriptions name king...
Amenhotep III, often hailed as the Dazzling Sun King, was a monarch whose reign illuminated Egypt with an unparalleled splendour of construction and artistry. His legacy cast a long shadow, inspiring later pharaohs such as Ramesses the Great to emulate his grandeur. Colossal statues bearing his likeness once dominated the Egyptian horizon, while minute treasures...
This exquisite faience bowl (Met Museum. 26.7.905) stands as one of the more generous examples of its kind, often charmingly referred to as the “marsh bowl” or “nun-bowl”. Its outer surface is adorned with a radiant display of Egyptian blue lotus petals and sepals, whose natural purple speckles have been rendered as delicate painted dashes....
This exquisite composite statue element, dating to the early 18th Dynasty (c.1550–1425 B.C.), represents the iconic khepresh or blue crown of war, fashioned from siliceous earthenware and adorned with a copper alloy uraeus. Though the once-vivid blue of this piece has faded into a swampy green reminiscent of marsh waters, rather than the pure, life-giving...
This mummy portrait of a man, painted around 150–225 A.D., is a striking example of the Faiyum portrait tradition; an evocative fusion of Egyptian funerary practices and Greco-Roman artistic techniques. This particular portrait, rendered in encaustic (hot wax) paint on a panel of sycamore fig wood, comes from Antinoé in Middle Egypt, a city founded...
This finely crafted statuette, carved from persea wood (Mimusops cf. laurifolia) and dating to the late 18th Dynasty (c. 1327–1295 B.C.), depicts a man in a composed striding pose. With one foot foward, he strides forth into eternity. Despite damaged, his refined image and the craftsmanship that went into creating this mini masterpiece is still...
In Ancient Egypt, rouge was more than a simple cosmetic, it was a vibrant symbol of vitality, health, and spiritual regeneration, bringing a life-giving flush to the cheeks and lips of both men and women in a culture where beauty and divinity intertwined. Ancient Egyptian blusher or rouge was typically made from red ochre, a...
In the world of Ancient Egypt, kohl was far more than a mere cosmetic; it was an essential element of both daily life and spiritual belief. This fine black powder, traditionally made from galena (lead sulphide) or stibnite (antimony sulphide), was ground into a fine pigment and mixed with oils or resins to create a...
