Egypt Museum ancient Egypt art culture and history
In this exquisite pectoral, a winged large scarab beetle riding on a sacred barque flanked by the goddesses Isis and Nephthys with their arms outstretched as a sign of protection. The scarab serves a double function: as a heart scarab and as the ba of the sun god lighting the way to the underworld. The pectoral...
The Senet Game board of Imenmes who was an ancient Egyptian official, who was ‘Overseer of the Cattle of Amun’. From the New Kingdom onward, the track for the game of Senet was usually engraved on the surface of a wooden box featuring a drawer for the playing pieces, while in previous periods the game...
A middle kingdom wooden model of a sailing boat with the pilot in the bow and the owner resting under a canopy. Boats were the commonest type of funerary models placed in tombs during the Middle Kingdom. They provided the dead person with the magical means of traveling along the waterways of the Underworld. All...
A 12th dynasty Egyptian Middle Kingdom pectoral belonging to princess Mereret, the daughter of king Senusret III and sister of king Amenemhat III. The pectoral shows the cartouche or royal name of king Amenemhat III and depicts this king triumphantly defeating his enemies. “The king himself appears on either side in a stance familiar to...
Diadem of Princess Khenmet, c. 1932–1898 B.C. Princess Khenmet is best known from her undisturbed tomb, which contained an exquisite collection of personal adornments. This masterpiece was discovered in the tomb she shared with her sister, Princess Ita, at Dahshur. While her parentage is uncertain, the proximity of her burial to the pyramid of Amenemhat...
Taken from Spell 144 of the ‘Book of the Dead’, they were the keepers of the gates of the Underworld, menacing the enemies of order with their sharpened knives. “Egyptians were probably the first to be aware of the nobility inherent in the human form and to express it in art. One can sense the...
Along with its sheath, this ceremonial dagger was a royal gift from king Ahmose to his mother Ahhotep, in whose burial it was discovered. The blade decorated with a typically Aegean technique but Egyptian iconography, bears the titulary of the king on one side and a hunting scene on the other side. Being a gift...
This perfume vase of King Tutankhamun is made of four pieces of alabaster cemented together. The idea conveyed by its symbolism is that the Nile will provide the king and queen, whose names are inscribed on the vase, with its contents. The vulture with the so-called Atef crown on its head represents either goddess Mut...
Fragment showing a carpenter with a stubbled beard squatting on scaffolding and working on a wooden object with his adze. Contrary to custom he is shown disheveled and unshaven. The beard was a sign of neglect and was reserved for days of mourning. At the same time, a fake, well-tended beard was a sign of...
An early example from Predynastic Egypt, is a ceramic model of a boat with a man in a fetal position, sailing to the afterlife where he will be reborn. Belief in a physical afterlife endured for thousands of years. This totemic item from predynastic Egypt shows the deceased curled up in the fetal position in...