Kha & Merit

Schiaparelli excavations of Theban Tomb 8 (TT8)
Museo Egizio Photo Archive (CC0)
Bronze vase stand (
Suppl. 8622), with clay jug (Suppl. 8621). Museo Egizio.

Nestled within the arid cliffs of Deir el-Medina, on the west bank of the Nile opposite modern-day Luxor, lies Theban Tomb 8 (TT8), the final resting place of Kha, a distinguished overseer of royal tomb construction, and his wife, Merit. This tomb, remarkably preserved and untouched by ancient looters, offers an unparalleled glimpse into the lives and afterlives of Egypt’s elite artisans during the mid-Eighteenth Dynasty, around the 14th century B.C.

In 1906, Italian Egyptologist Ernesto Schiaparelli uncovered the tomb, remarkably intact after millennia. Within lay over 440 meticulously arranged items, including furniture, clothing, tools, and provisions for the afterlife. Kha‘s possessions featured work tools, a gilded cubit rod gifted by Amenhotep II, and a copy of the Book of the Dead. Merit’s belongings included a finely crafted wig, cosmetics, and personal adornments. The presence of everyday items alongside funerary goods provides a comprehensive view of their domestic life and beliefs about the afterlife.

Copy of the wooden & copper lamp from the Tomb of Kha & Merit.
Museo Egizio. Suppl. 8628
Original in the Cairo Museum.

Kha served as a foreman overseeing the excavation and decoration of royal tombs during the reigns of Amenhotep II, Thutmose IV, and Amenhotep III. His ascent to such a prestigious position, despite unknown origins, underscores his exceptional skill and dedication. Merit, bearing the title “Lady of the House,” was his devoted partner. The couple had three known children, with their son Amenemopet following in his father’s professional footsteps.

The funerary chapel of Kha and Merit, constructed of mudbrick and plastered white, stands as an early example of pyramid-shaped chapels in Deir el-Medina. Its walls once bore vibrant scenes of the couple receiving offerings and paying homage to deities, reflecting their piety and social standing. A notable feature is the pyramidion, adorned with bas-reliefs of Kha worshipping the sun god Ra at various stages of his journey across the sky.

The sarcophagi of Kha and Merit were crafted from black-painted sycamore wood, with Kha’s containing two nested coffins adorned with gilding and inlays. Merit’s coffin, likely repurposed from one intended for Kha, reflects the suddenness of her death. Modern analyses reveal that neither underwent traditional mummification; their organs remained intact, yet both bodies were well-preserved using embalming substances like resins and oils, indicating a unique approach to preservation.

Though Kha and Merit were never cloaked in the divine aura of royalty, nor laid to rest in a tomb bursting with Pharaonic gold, the quiet dignity of their burial holds a splendour all its own, one that shimmers not with opulence, but with insight. Entombed with them were not jewelled crowns or golden sceptres, but the cherished artefacts of daily life: woven linens, fine pottery, delicately carved furniture, unguents in alabaster jars, and even loaves of bread and preserved meat meant to nourish them in the hereafter.

Clay bowl with dried fruit
Museo Egizio. Suppl. 8346

To the modern eye, these may seem humble offerings. Yet to the Egyptologist, they are treasures of the rarest kind and even richer, in some respects, than the glittering tomb of Tutankhamun. For while royal burials speak of divinity and ritual, the tomb of Kha and Merit opens a rare window onto the rhythms of real life in Ancient Egypt. Here we see what a well-to-do family, just beneath the royal stratum, deemed essential in both life and death.

Kha and Merit

A man of impeccable skill and devotion, Kha rose to prominence as an overseer of works in the royal necropolis during the illustrious 18th Dynasty, serving under the reigns of Amenhotep II, Thutmose IV, and Amenhotep III – a trio of powerful kings during Egypt’s golden age. Though little is known of his origins, Kha’s talent must have spoken louder than lineage, for he was tasked with supervising the excavation and ornamentation of tombs in the Valley of the Kings, a role reserved for only the most capable. At his side was Merit, his wife and confidante, titled “Lady of the House”, a woman who, though not royal, was buried with the elegance and care of a queen. Together, they lived in Deir el-Medina, the village of the craftsmen, among fellow artisans whose hands shaped the very grandeur of Egypt’s eternal legacy.

Kha & Merit
BBC Television

Kha likely began his career as a younger man in the latter part of Amenhotep II’s reign, perhaps rising through the ranks under Thutmose IV, and attaining his most senior status during the prosperous and artistically vibrant reign of Amenhotep III. This suggests a working life of perhaps 30 to 40 years, which is quite feasible for a skilled and trusted overseer in Ancient Egypt.

Amenhotep II reigned from approximately 1427 to 1401 B.C., succeeded by his son Thutmose IV, who ruled for a decade until around 1391 B.C. It was under Amenhotep III, reigning from 1391 to 1353 B.C., that Egypt reached one of its most refined and prosperous heights. The combined span of these reigns covers some seventy-four years, though Kha himself likely served for a more modest, yet still remarkable, thirty to forty years. It is probable that he began his service as a young artisan or junior overseer during the latter years of Amenhotep II’s reign, rose to prominence under Thutmose IV, and held his most influential position, as “Overseer of Works” in the necropolis, during the flourishing era of Amenhotep III. His sustained presence across such a significant sweep of time speaks not only to his exceptional skill but also to the stability and continuity of royal patronage during this golden age of tomb building.

Today, the artefacts from their tomb are housed in the Museo Egizio in Turin, Italy, allowing the legacy of Kha and Merit to endure and educate future generations: