Double Signet Ring

This exquisite double signet ring, dating from the New Kingdom period (c. 1550–1069 B.C.), showcases the refined artistry and symbolic richness characteristic of the era.

Crafted from gold, the ring features a pair of cartouches, but instead of a name within the “shen-ring” oval cartouche, are two figures. The first figure is that of a female, in fine pleated linens and holding a sistrum (a musical instrument long associated with the goddess Hathor and religious ritual) within her hand. The other figure, is what appears to be a youth. He wears a pleated linen wrap around kilt (shendyt). His finger to his mouth in the typical “pondering” pose for children, as well as the side-lock of youth hairstyle, also associated with youth and children.

The ring, measuring 1.9 cm in height and length, and 1.2 cm in width, was expertly fashioned using soldering techniques, a testament to the craftsmanship of the period.

No provenance is currently known, nor is the exact dynasty in which the ring was made. However, it was formerly a part of the Drovetti Collection (No. 266), it was acquired by the Musée du Louvre in 1827 and is now displayed in the Department of Egyptian Antiquities, offering a glimpse into the opulence and ceremonial splendour of New Kingdom adornments.

The presence of the sistrum may imply the wearer’s invocation of Hathoric blessings, or perhaps signify participation in rituals celebrating life and renewal. This ring showcases the opulence of New Kingdom adornments, as well as an intimate window into the interwoven symbolism of music, youth, and divine favour that permeated Ancient Egyptian culture.

Cartouche: An oval enclosing a royal name in Egyptian hieroglyphs, symbolising the ruler’s dominion over the cosmos and the protection of their name for eternity. Originally a stylised “shen-ring” elongated to frame a pharaoh’s name, it signified divine kingship and the eternal nature of the ruler’s legacy.

Shen-ring: A circular loop of rope symbolising eternity, completeness, and protection. Often depicted in Egyptian art as encircling objects or names, it represents the infinite cycle of life and the universe, and serves as a protective emblem bestowed by the gods. The shen-ring is often seen in the claws of the bird deities within the Ancient Egyptian pantheon, such as:

Horus: The falcon-headed god, emblematic of kingship and the sky, is frequently shown with a shen-ring in his talons. This symbolised his protective embrace over the pharaoh and his role as a cosmic guardian, ensuring the eternal cycle of life.

Nekhbet: The vulture goddess of Upper Egypt, often portrayed hovering over the pharaoh with shen-rings in her claws. She represents maternal protection, eternity, and the divine authority conferred upon the ruler.

Summary:

Signet ring with female figure and male youth depicted within the cartouches

New Kingdom, c. 1550–1069 B.C.

Formerly a part of the Drovetti Collection (No. 266), it was acquired by the Musée du Louvre in 1827. N 2068 B