Colossal Khepri

Colossal scarab beetle sculpture, erected by Amenhotep III (r. 1391-1351 B.C.), at the edge of the Sacred Lake of Karnak, flanked by two obelisks of Hatshepsut (right) (r. 1479 – 1458 B.C.) and Thutmose III (r. 1479–1425 B.C.).

Amidst the sprawling grandeur of Karnak Temple in Luxor, once the spiritual heart of ancient Thebes, stands a most curious and venerable monument: a colossal stone scarab carved from rose-hued granite. It is thought to date from the reign of Amenhotep III (r. 1391-1351 B.C.), during Egypt’s glittering 18th Dynasty, a period marked by architectural splendour, divine kingship, and flourishing art.

The scarab beetle was not merely a decorative motif in Ancient Egypt; it was imbued with profound religious significance. Central to this was the god Khepri, a solar deity who personified the rising sun and the eternal renewal of life. His name derives from the Egyptian verb kheper, meaning “to become” or “to come into being”. Khepri was often depicted as a man with a beetle for a head, or simply as the beetle itself.

Photograph by Peter Unger

The ancients observed how the dung beetle seemingly emerged spontaneously from the earth and rolled its orb-like ball across the sand, and in this humble act, they perceived divine symbolism. To them, Khepri rolled the sun across the sky each morning, bringing light from the darkness and heralding a daily rebirth of the world. He represented the dawn, potential, and transformation, concepts deeply intertwined with the soul’s journey and the pharaoh’s divine role as both ruler and renewer of the cosmos.

Sacred Scarab beetle (Scarabaeus Sacer). Vintage etching circa 19th century.

The scarab statue at Karnak was likely installed as both a votive offering and a powerful symbol of regenerative energy. Situated near the Sacred Lake (a basin used for ritual purification by priests), it would have served to sanctify the space, reinforcing the temple’s sacred geometry and solar alignment. In such a setting, the scarab’s presence would not merely be decorative, but actively protective and spiritually potent, linking the god Amun’s earthly domain with the celestial order.

In the modern day, this venerable relic continues to cast its spell upon those who visit. A charming tradition has arisen among tourists and pilgrims: walking around the statue usually seven times, in the hope of summoning good luck, attracting love, or ensuring the fulfilment of a heartfelt desire. Though secular in practice, the act echoes the Ancient Egyptian reverence for cosmic cycles and the unseen forces that govern life.

Photograph by Ramesh Thadani