Sha-Amun-en-su was an Ancient Egyptian ritualistic singer and priestess of Amun at the Temple of Karnak. Her name translates to “Fertile Fields of Amun”, and she died around 750 B.C. Sha-Amun-en-su lived during the Twenty-second Dynasty of Egypt (Bubastite Dynasty), where the kings ruled from the city of Bubastis (“House of Bast“, Ancient Egyptian: “Per-Bast“)....
This upper part of a painted limestone statue depicting a woman in an elaborate wig, linen white dress, and honey yellow skin was discovered at Deir el-Bahari, within the remnants of the Temple of Mentuhotep II. It is more than likely she was a wife of the king. King Mentuhotep II is attributed with reunifying...
This family portrait comes from the reign of Amenhotep III. The artistic style of the piece is reminiscent of other pieces from the Late 18th Dynasty era, in which after a lustrous and inspiring reign, Amenhotep III’s lineage took hold with Amenhotep IV (Akhenaten), leading to the eventual collapse of the 18th Dynasty’s Golden Age...
Ushabti of king Akhenaten from Amarna (ancient Akhetaten – Akhenaten’s experimental ‘new capital’ that was dismantled upon his death. A Ushabti was a figurine representing the deceased that would help with duties in the Afterlife. A Ushabti (Egyptian: wšbtj or šwbtj) was a funerary figure in the form of the likeness of the deceased, and...
Glazed faïence inlays from palace of Ramesses III, depicting subdued enemies of Egypt; Sub Saharan African and Assyrian men kneel. The decorative inlays are considered of significant historical and ethnographical interest, given the representation of neighbouring populations. Tiles with coloured inlaid glazed faience were very popular for decorating the walls of palaces. In the palace...
This face from a coffin is made of wood and paint still remains. The face has a slight soft smile. It dates from the New Kingdom Period’s 18th Dynasty (c.1300-1400 B.C.), and is currently under the ownership of the Kunsthistorisches Museum, in Vienna, Austria. The mummies of the ancient Egyptian elite were placed into wooden...
This beautifully painted limestone head of a woman came from a tomb chapel niche dating from the Ramesside era, c. 1250–1070 B.C., 19th-20th Dynasty. Not a singular statue, this Noblewoman would have been accompanying her husband, this statue would have represented the pair at their best; see her elaborate wig, lotus adorned headband and perfect...
Although the coffin belongs to an Ancient Egyptian man named Pa-Di-Tu-Amun, the coffin lid was originally made for a female priestess, with the titles “mistress of the house, chantress of [Amun]”. The feminine quality of the art is still noticeable. Acquired in Egypt during the 1920s, by the Swedish scientist Olof Vilhelm Arrhenius, this Third...
This head of a man dates from the Middle Kingdom, and the facial features and characteristics depicted are easily recognizable from the reign of Senwosret III. Although, the Museum of Fine Arts, Boston, lists this head as belonging to an Official, it could be argued that the head was originally a depiction of king Senwosret...
King Amenemhat III meaning “Amun is at the forefront”, was the son of the great king Senwosret III, and the sixth king of Ancient Egypt’s 12th Dynasty. Amenemhat Ill’s features are clearly marked and give life to a highly individualistic portrait quite unlike the idealized models of the ruler. The cheekbones protrude, the eyelids are...
