The Metternich stela belongs to a group of stelae known as the “Cippi of Horus” or ‘Stelae of Horus on the crocodiles’. The top half of this stela was skillfully carved in the hard dark stone. On the part below the central figure panel, rows of hieroglyphs record thirteen magic spells to protect against venomous...
Through the veil of time, a woman’s gaze meets ours—serene, knowing, eternal. This is a woman, whose memory lingers upon the fragile remnants of her cartonnage, linen-wrapped shell that once cradled her in death. Hers is a face preserved in the exquisite art of the Romano-Egyptian mummy portrait, a testament to both beauty and remembrance....
Originally described as a ‘linen belt’ but since at least 1913 it has been called the ‘Ramesses Girdle’. Paintings of Ramesses III show him wearing similar long lengths of cloth wrapped several times around the chest in a herringbone fashion, like a girdle, before being fastened around the waist. Cartouches of Ramesses III were inscribed...
Referred to as Asqanu in Egyptian texts and among the cities revolting against Ramesses II. Scenes of the battle for Ashkelon (including the one shown here) are shown on the walls of Ramesses’ temple at Karnak. The scene shows many activities taking place at once. The army of Ashkelon is being defeated in the center,...
The inner coffin lid of Henuttawy is painted yellow all over, imitating royal coffins made of solid gold or gilded wood. The pectoral is only slightly less elaborate than the one on her outer lid (25.3.182a, b). Its main feature is a large scarab that pushes a sun disk upward to symbolize the rising sun....
This superb portrait of Egypt’s last native pharaoh is the product of three thousand years’ expertise in carving hard stone. The volumes of his helmet-shaped crown — the Blue Crown, or Khepresh, are sleek and streamlined, almost aerodynamic. The artist reveled in the mottled texture of the stone, and polished it to a glistening sheen...
The outer coffin of Butehamun shows stylistic features that are still typical for the Ramesside Period (1292-1076 BC), but the growing space devoted to images is a feature of the new “yellow coffin” style. The image repertoire is expanded, combining typical New Kingdom elements with Third Intermediate Period Theological creations. Butehamun’s set of coffins, probably...
The faces on most statues of Amenhotep II differ slightly from those of his two immediate predecessors. Compared with the sculpture of Thutmose III or Hatshepsut exhibited nearby, for example, this statue’s face is a little longer, the eyes somewhat narrower, the brows a bit straighter, the nose slightly thicker, and the mouth less curved....
This model of a slaughter house was discovered in a hidden chamber beside twenty-three other models of boats, gardens, and workshops that led to the royal chief steward Meketre’s rock-cut tomb. Meketre started working for the kings of the 11th Dynasty under King Nebhepetre Mentuhotep II and continued to serve them until the early 12th...
The mythical lion is represented standing with its right leg forward, in contrast to human statues, which have the left leg forward. It shows an aggressive attitude against evil powers; the fangs are bared, the tongue protrudes from the mouth to tease, one foreleg is raised to ward off all evil forces while the other...
