This statue of the frog goddess Heqet stands at the beginning of a great tradition of animal sculpture in Egyptian art. During the Predynastic period statues of animals are much more common than those of humans. The sculptor has shown great sensitivity to the natural banding of the stone, using it to enhance the roundness...
This round topped funerary stele of Tembu is carved in very low relief and brightly painted in red, yellow, blue, and black. The decoration comprises of two registers of offering scenes and a register of inscription on the bottom. The top depicts two Wadjet eyes flanking a shen-ring and water ripples with a bowl. Below...
In this relief Amenemhat I is shown celebrating his thirty-year jubilee (Sed Festival), ritually demonstrating that he was still vigorous and fit to rule. The king is flanked by the jackal-headed god Anubis and the falcon-headed Horus, deities closely associated with coronation rituals; each god offers him an ankh, the hieroglyph for life. To the...
In its entirety the relief showed Ay kneeling in worship with his family and surrounded by a long prayer inscribed in hieroglyphs. The style of Ay’s portrait is typical of the Amarna period in its naturalistic depiction of the narrow and bony face, long nose, and small, squinty eyes- features common to other surviving representations...
This stele was colored with a mixture of pigment and tempera. First, however, it was sculpted in raised and sunken relief; only later were some of its surfaces embellished with black, brown, green, yellow, and white paint. The stele commemorates for all eternity a man named Amenemhat and his wife, Hemet. Before them are two...
This stele is known in Egyptian art as a cippus (pl. cippi) or magical stele. The instructions found on some cippi indicate that they were used to heal afflictions caused by snake or scorpion venom. Specifically, Egyptians believed that the water poured over these cippi would be transformed into a curative remedy that the afflicted...
This head of a priest, called the Boston Green Head, is the best portrait sculpture known from the Late Period. The face is wonderfully lifelike and individual. Light wavy lines indicate the furrows of his brow, and crow’s feet radiate from the outer corners of his eyes. The top of his nose has a pronounced...
This unique stele commemorates the deceased ruler Ahmose (1539-1515 BC), who inaugurated the 18th Dynasty in the New Kingdom. The relief style places the stele’s manufacture later in the reign of Tutankhamun (1332–1323 BC). At this time, royal cults were reinstated after the reign of Akhenaten, who wiped out the cults of other gods in...
One of the most remarkable paintings to survive from ancient Egypt, this depiction of the noblewoman Tjepu came from a tomb built for her son Nebamun and a sculptor named Ipuky. Egyptian artists usually did not depict individuals as they truly looked, but rather as eternally youthful, lavishly dressed, and in an attitude of repose....
Tjetji is shown in the classic pose of a standing official, with his left leg advanced, a long staff in his left hand, and a sekhem scepter (now lost) held horizontally in his right hand. The arms of this statue were made separately and pegged to the body, and the feet tenoned into a separate...
