This ostracon is a remarkable piece of ancient Egyptian art, and it is often recognized for its portrayal of a young king, which provides a rare and valuable glimpse into royal iconography during the 20th Dynasty (around 1150 BC). Like many ostraca, this one is made of limestone, which was a common material used by...
The sarcophagus of Harkhebit exhibits typical Memphite craftsmanship, characterized by a plump, squarish face, a smooth, unarticulated body, and slightly protruding feet. The body is inscribed with sunk-relief hieroglyphs, including passages from the Book of the Dead. The interior carvings were left rough, possibly intended for painting, perhaps in green. Harkhebit held several esteemed titles,...
Painted relief depicts goddess Hathor offers Menat necklace to Seti I, from a pillar in the Tomb of Seti I (KV17) in the Valley of the Kings, West Thebes. Seti I’s tomb is known for its rich decoration, which included elaborate depictions of gods and pharaohs in various religious contexts. It’s also famous for the...
Sobekemsaf was a Theban king of the Second Intermediate Period, when northern Egypt was occupied by the Hyksos. This chest contained his embalmed entrails, which were wrapped and contained in four ‘canopic’ jars. An image of these jars is painted on the flat inside lid of this chest. The outer surface of the lid is...
This head was part of a statue, carved from sandstone, of king Mentuhotep II, the unifier of Egypt, at the end of the so-called First Intermediate Period, at the end of the third millennium BC., and whose name is written on the back supporting pillar. The face is painted dark red to render the idea...
The sculpture depicts a young woman of Nubian descent, adorned with a brightly patterned skirt, a necklace, anklets, and a headband. She is believed to represent an attendant of one of the Hathor priestesses or royal wives at the court of Nebhepetre Mentuhotep II. Similar figures were found in the same tomb, suggesting that they...
This statue represents Anubis, god of mummification and the afterlife, typically depicted with a jackal head. In this piece, Anubis is shown in a traditional form, with a jackal head, standing in a protective and authoritative pose. The statue was dedicated by a high-ranking official named Padihorpakhered, whose name is inscribed on the statue. He...
This scene—featuring two cats and a mouse—likely portrays a lighthearted or symbolic interaction, showcasing how the Egyptians sometimes used humor or animal symbolism to comment on human life. A lady mouse is shown sitting elegantly, enjoying a cup of wine or drink, which is offered to her by one of the cats standing nearby. Another...
The granulation earrings of Tutankhamun are not only exquisite exemplars of Ancient Egyptian goldsmithing, but also serve as a window into the artistic and cultural sophistication of the 18th Dynasty during the New Kingdom, circa 1332–1323 B.C. These earrings are particularly distinguished by their use of the granulation technique—an advanced method wherein minute spheres of...
This reliquary is notable for its design, with a base adorned with four lion protomes (the head and upper part of the body of the lion). These lion elements reflect the artistic traditions of the period and were likely included for symbolic reasons, as lions were often associated with strength, protection, and royalty in ancient...
