The erotic-satirical papyrus also known Turin Erotic Papyrus, which should be read from right to left, consists of two parts. It measures 8.5 feet (2.6 m) by 10 inches (25 cm). The right side carries a topsy-turvy representation of a world where animals act like humans. This part of the scroll-painting has been described as...
On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird’s neck before offering it to the god. In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk...
This is a pottery ostracon, measuring 14.4×10.3 cm with an ink sketch showing the prow of the sacred boat of the god Amun-Re. It is decorated with a ram’s head and a royal cobra (uraeus). The line of hieroglyphs over the head of the ram reads, “Amun-Re, the Light of Day.” And the column of...
A colossal statue that represents Akhenaten standing with his arms folded, holding the flail and heka scepters. He is depicted with his particular realistic features; long face, narrow eyes, the long protruding chin, and the fleshy lips. The king is shown naked, without any distinctive sexual organ, which is thought, by some Egyptologists to represent...
This falcon-headed coffin does not contain an actual mummy but a symbolic Osiris mummy stuffed with grains like corn and sand. The falcon head on the coffin and the hieroglyphic text on the painted lid indicate they are associated with the funerary deity Ptah-Sokar-Osiris. During the mysteries, two statuettes of Osiris were manufactured: one was...
This relief of trading scenes of Punt is one of many decorated blocks that record the trading expedition sent to the land of Punt by Hatshepsut. Punt was a locality near the Red Sea and the south of Egypt, now southern Sudan or Eritrea or Ethiopia. The block shows Parehu, the Ruler of Punt, holding...
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
As the chief intermediary between gods and men, the Egyptian king is often shown kneeling in adoration. This silver statuette was undoubtedly part of a group composition in which the king faced a larger figure of a god. Temple inscriptions suggest that for much of Egypt’s history, silver was valued more highly than gold. However,...
In this statue, Queen Nofret is shown seated on a throne, wearing a wig known as a Hathor wig, which has three separate tresses of hair. A large tress falls behind the head, while two wavy tresses are pulled to the front and wrapped in narrow bands, which end over the breasts in two spirals...
In this fragment painting from the Tomb of the Dancers, the girls are performing to the accompaniment of of clapping and finger-snapping, under the supervision of two male overseers. The occasion is perhaps a festival dance in honor of Hathor, goddess of music and dancing and also protector of the tombs of Western Thebes. “The...
