Nebamun was a middle-ranking official “scribe and grain accountant” during the period of the New Kingdom in Ancient Egypt. He is thought to have lived ca. 1350 BC and worked at the vast temple complex near Thebes, where the state-god Amun was worshiped. His name was translated as “My Lord is Amun”, and his association...
A mature woman gazes out from this Romano-Egyptian mummy portrait. The name of the woman, Isidora, is written on what remains of the cartonnage, or linen mummy case. She wears an elegant, braided hairstyle that was fashionable in the early 100s A.D., and she is fully accessorized with a gold hairpin, gold-and-pearl earrings, and three...
The goddess Nut is illustrated with a laden fruit tree behind her. Her hair is long and in tresses, and she is adorned with various jewels such as a chaplet, floral collar, and a necklace with pendants. Her arms are decorated with golden bracelets in the form of snakes. A vertical register of hieroglyphs with...
This statue depicts a king, almost certainly Akhenaten, and is made from yellow limestone. The king holds the heqa scepter (crook and flail), and is seated upon a cushioned throne, wearing a pleated linen kilt, and a striped nemes headdress with the royal insignia of a uraeus upon the centre of his forehead. Often overlooked...
This painted limestone statue of a woman named Ta-Seket was discovered within Tomb Y 524 at Hu. Hu, Huw or Hiw (Arabic: هُو, Coptic: ϩⲱ, ϩⲟⲩ)is the modern name of an Egyptian town on the Nile, which in more ancient times was the capital of the 7th Nome of Upper Egypt. Hu was the centre...
The Ba is a part of a person’s non-physical spiritual nature. After death, the Ba might leave the tomb, but it had to return to the tomb on a regular basis to reconnect with the mummy. The Ba was frequently shown as a bird with a human head, and occasionally with human arms. This Ba...
This statue of a man dating from the Late 5th Dynasty-Early 6th Dynasty, c. 2430-2195 B.C., is made of limestone and pigment of black and red still remains quite prominently upon the piece. Despite the lack of titles, the piece is clearly of the Old Kingdom style; rigid form, layered spiral-style cropped wig, a pleated...
Originally described as a ‘linen belt’ but since at least 1913 it has been called the ‘Ramesses Girdle’. Paintings of Ramesses III show him wearing similar long lengths of cloth wrapped several times around the chest in a herringbone fashion, like a girdle, before being fastened around the waist. Cartouches of Ramesses III were inscribed...
The inner coffin lid of Henuttawy is painted yellow all over, imitating royal coffins made of solid gold or gilded wood. The pectoral is only slightly less elaborate than the one on her outer lid (25.3.182a, b). Its main feature is a large scarab that pushes a sun disk upward to symbolize the rising sun....
This superb portrait of Egypt’s last native pharaoh is the product of three thousand years’ expertise in carving hard stone. The volumes of his helmet-shaped crown — the Blue Crown, or Khepresh, are sleek and streamlined, almost aerodynamic. The artist reveled in the mottled texture of the stone, and polished it to a glistening sheen...
