This finely carved limestone relief once adorned the tomb chapel of Horemheb, at a time when he was still a general serving under Tutankhamun. It records a moment of high ceremonial theatre, showcasing Horemheb’s huldiging, or formal honouring, for military and diplomatic success. At the centre, attendants place heavy gold collars around Horemheb’s neck. This...
Seated figure of Isis suckling Harpocrates (identifiable with the so-called ‘Isis lactans’ motif). The goddess is wearing a hathoric crown, consisting of a solar disc with horns resting on a stylised uraeiform modius. She is wearing a tripartite wig decorated with incised vertical streaks and with a stylised vulture headdress. The goddess is wearing an...
Crafted from sycamore fig wood, a timber long associated in Ancient Egypt with rebirth and divine protection, this coffin was carefully gessoed and painted, allowing its richly symbolic decoration to gleam with colour and meaning. Measuring 208 × 68 cm, its surface becomes a canvas for theology, memory, and hope for eternal renewal. The coffin...
Carved from deep-hued jasper, this finely worked ram’s head amulet embodies the divine authority of Amun, the supreme god favoured by the Kushite rulers of Ancient Egypt’s 25th Dynasty. For the kings of Nubia, Amun was not merely a patron deity but the very source of royal legitimacy, worshipped above all at Napata and the...
This limestone relief fragment (Met Museum. 36.3.239) once formed part of a statue niche in the offering chapel of Senenmut, the influential official of the female pharaoh Hatshepsut. The surviving hieroglyphs above a kneeling woman most likely identify her as “his beloved sister Ahmose,” a reading reinforced by a wooden Osiris figure dedicated to a...
Carved in dark granodiorite, this commanding head of Amun bears features closely aligned with those of Tutankhamun, marking it as a royal commission of his reign. Though acquired in Cairo in 1907, the sculpture was almost certainly created for Karnak, Amun’s great temple at Thebes. The head belongs to the young king’s programme of restoration,...
This delicately shaped lentoid faience flask was made to mark the turning of the Egyptian year. Inscribed for the “God’s Father, Amenhotep, son of Iufaa”, it likely once held perfumed oil, sacred water, or Nile water; offerings bound to renewal and good fortune. A floral collar encircles the shoulders, echoing the usekh collars of the...
In a quiet chamber of House L.50.12 at Amarna, not far from a modest domestic shrine, excavators of the 1923–24 season uncovered two sandstone figures standing side by side: the heretic king Akhenaten and his queen, the ever-radiant Nefertiti. Fashioned in the later years of the Atenist experiment, both statues once held offering trays aloft...
A glimmer from the lifetime of the female pharaoh Hatshepsut, this elegant mirror is fashioned from a copper alloy, cast in two neat pieces. The gleaming disk possesses a sturdy little tang that slots snugly into the handle, secured by a modest bronze peg; simple engineering with a decidedly regal flair. The handle itself bears...
In the vast world of Egyptian art, most treasures are the glamorous survivors: gilded coffins, glittering jewellery, superb limestone reliefs polished by the desert wind. Yet every so often, something slips through from a very different realm; the dusty, aromatic heart of the ancient workshop itself. A rare survival of the craftsman’s workshop, this modest...
